Crime and punishment trade furious blows and bludgeon us into wearying submission in The Equalizer 2, a blood-spattered sequel to the 2014 action thriller, which reunited director Antoine Fuqua with Training Day leading man Denzel Washington, writes Damon Smith.

Both return to active duty alongside scriptwriter Richard Wenk for a revenge mission, which doles out rough justice on home soil in breathlessly staged and gratuitously violent fight sequences.

This Robert McCall bears scant resemblance to the avuncular figure embodied by Edward Woodward in the popular 1980s TV series.

A wince-inducing prologue, set inside a speeding Turkish Railway dining carriage, details McCall’s single-handed rescue of a bookshop owner’s daughter (Rhys Olivia Cote) from the girl’s thuggish father.

The set-piece serves no wider narrative purpose, merely underlining the central character’s predilection for snapping limbs and face-planting knife-wielding henchmen as a means to a noble end.

Director Antoine Fuqua could cut away from the brutality but he relishes it in close-up, justifying each adrenaline-fuelled bout of fisticuffs by suggesting that everyone is stained by sin.

“There are no good and bad people anymore,” opines one of McCall’s CIA buddies, who has compromised integrity in the name of national security. “No enemies, just unfortunates.”

Ultimately, we’re the unfortunates because The Equalizer 2 squanders its Oscar-winning star and builds to a final showdown battered by hurricane-force winds that is overblown in every sense.

The Equalizer 2 feels considerably longer than two hours, padding out a linear central plot with Miles’s journey of self-discovery and an uplifting resolution to Sam’s quest.

Washington’s face registers barely a single emotion as he cuts a swathe through the criminal underworld with his fists, or by gouging out an eye.

He elevates the pulpy material and makes McCall’s second righteous rampage a tolerable but unedifying experience.